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Big Music Issue

cp_20110713_bmi_beat.jpg

Ben Claassen III

How a Beat Becomes a Track

Big Music Issue 2011
  • Big Music Issue 2011 No band is an island. And the same goes for rappers, venues, beats, genres, and all the rest of it. There always remains that connection between the macro and the micro, the guy twiddling knobs in some west Baltimore art space and the left-field leans of th | 7/13/2011
  • It’s (Not) Over House music returns to Baltimore—not that it ever really left | 7/13/2011
  • Knights of the Round Robin Baltimore’s offbeat hip-hop underground expands its inner circle | 7/13/2011
  • Notes from the Underground DIY spaces are exploding, but Baltimore still has a venue black hole | 7/13/2011
  • How a Beat Becomes a Track | 7/13/2011
  • Detroit Rock City Protomartyr creates musical world view with urban stories set to post-punk throb and garage-rock rush | 4/16/2014
  • Bass of Doom Metallica’s Robert Trujillo talks about Jaco Pastorius | 4/16/2014
  • Bangers And Thrash What’s up with heavy music | 4/16/2014
  • The Short List Protomartyr, Cowabunga Pizza Time, Loop, Rich Homie Quan, and more. | 4/16/2014
  • Reckless Hope Caleb Stine’s new album stares into the void, offers solutions | 4/9/2014
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