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Real-Life Embarassing Sex Stories

Real-Life Embarassing Sex Stories

Feature: Submitted by City Paper readers 2/13/2013
Eat Pussy Like a Porn Star

Eat Pussy Like a Porn Star

Charm City Porn Star: After performing in nearly 1,500 scenes with over 1,400 women and having won three AVN Awards I am more-than-qualified to speak on this matter. By Kurt Lockwood 5/29/2013
Murder Ink

Murder Ink

Murder Ink: Murders this Week: 5; Murders this Year: 95 By Edward Ericson Jr. 6/12/2013
You May Now Kiss the Brides

You May Now Kiss the Brides

Feature: Even as other battles loom, the LGBT community stops to celebrate marriage equality at Pride 2013 By Kate Drabinski 6/12/2013
Good Cop, Bad Cop

Good Cop, Bad Cop

Mobtown Beat: Accused officer allegedly facilitated drug dealing on same days she busted people with drugs By Van Smith 6/12/2013
Charm City Porn Star

Charm City Porn Star

Charm City Porn Star: The sins you never had the courage to commit By Kurt Lockwood 6/5/2013
The Multiple Personalities of Baltimore Fashion

The Multiple Personalities of Baltimore Fashion

Feature: Fashion galleries from Towson Town Center, Harbor East, Current Space, around Mount Vernon, and the Skatepark. 6/19/2013

Savage Love

Savage Love: Interest in incest By Dan Savage 6/19/2013
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THE HANGOVER PART 2 They’re tanned. They’re rested. They’re . . . in Bangkok? Director Todd Phillips and co-stars Bradley Cooper, Ed Helms, Justin Bartha, and Zach Galifianakis return for this attempt to see just how much box-office comedy money can be squeezed out of grown men behaving like spoiled brats. Hell, it’s worked pretty well for Wall Street so far, no? Opens May 26.

PAN’S LABYRINTH Ofelia (Ivana Baquero), a young girl, and her mother (Ariadna Gil), pregnant and gravely ill, arrive in a small village/military base in Spain, 1944, lorded over by the casually murderous Capitán Vidal (Sergi López), who is also Ofelia’s stepfather. Vidal’s physician (Álex Angulo) supplies medicine to the insurgent rebels on the sly, aided by housekeeper Mercedes (Maribel Verdú). Mercedes befriends Ofelia, who reacts to the agonies around her by locating a—imaginary?—forest gateway to a magical underground world. And as Vidal becomes more cutthroat in his dealings with the citizenry and Ofelia’s mother worsens, the girl’s delusions gain detail and depth with the appearance of an ancient walleyed faun (Doug Jones). He gives her three missions to carry out, the completion of which will return her as the reincarnated princess of a wondrous golden kingdom. Director Guillermo del Toro’s Pan’s Labyrinth recalibrates your sense of wonder from the dead aesthetic of mindless American fantasies to far more intimate magic, and everything you might say about it is a reiteration of, “There is no bad here,” from the performances to the lushly melancholic score. (Ian Grey) At the Enoch Pratt Free Library’s Wheeler Auditorium May 28 at 1 p.m.

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