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Real-Life Embarassing Sex Stories

Real-Life Embarassing Sex Stories

Feature: Submitted by City Paper readers 2/13/2013
Murder Ink

Murder Ink

Murder Ink: Murders this Week: 5; Murders this Year: 95 By Edward Ericson Jr. 6/12/2013
You May Now Kiss the Brides

You May Now Kiss the Brides

Feature: Even as other battles loom, the LGBT community stops to celebrate marriage equality at Pride 2013 By Kate Drabinski 6/12/2013
Eat Pussy Like a Porn Star

Eat Pussy Like a Porn Star

Charm City Porn Star: After performing in nearly 1,500 scenes with over 1,400 women and having won three AVN Awards I am more-than-qualified to speak on this matter. By Kurt Lockwood 5/29/2013
Good Cop, Bad Cop

Good Cop, Bad Cop

Mobtown Beat: Accused officer allegedly facilitated drug dealing on same days she busted people with drugs By Van Smith 6/12/2013
Charm City Porn Star

Charm City Porn Star

Charm City Porn Star: The sins you never had the courage to commit By Kurt Lockwood 6/5/2013
Kiefaber Loses Homes Too

Kiefaber Loses Homes Too

Mobtown Beat: State, city repossess two of the ex-Senator owner’s properties By Michael Yockel 6/12/2013
Tough Cell

Tough Cell

Mobtown Beat: Councilman looks to ban cash-for-phones ATMs By Edward Ericson Jr. 6/12/2013
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Film

Big Mommas: Like Father, Like Son

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Big Mommas: Like Father, Like Son

Directed by John Whitesell

A big, fat, stinky adventure in sequel-milking. You think it’s gonna be a lot of he-so-crazy Martin Lawrence suiting up in fat/drag for the third time as Malcolm Turner, FBI master of disguise, but it’s more about Brandon T. Jackson as his son Trent inheriting the family girdle while simultaneously courting comely student Haley (Jessica Lucas, pushing her boobs up to the stratosphere of a PG-13 rating), plus there are a coupla horrible goddamn musical numbers making the 107 minutes of running time seem like a fucking marathon, and seriously, even the extras (aka “background artists”) are stiff in this piece of shit. You will notice the shitty background artists because you are looking somewhere else on the screen for entertainment. Professional Asian-American Ken Jeong continues to wear out his welcome with a stock turn as a mailman, and the always amusing Faizon Love shows up, although he doesn’t get much to work with, but there’s a happy ending: Everybody got paid to poop this garbage into a theater near you, so, like, at least some jobs were created.

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