Whose Responible?

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Whose Responible? home

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• Theater Review: "Beneatha's Place" at Center Stage Kwei-Armah continues Center Stage’s conversation on history and ethnicity | 6/12/2013
• Brother Against Brother Tension mounts in Everyman’s production of Suzan-Lori Parks’ Pulitzer-winning play | 5/1/2013
• Mobtown Moon Many of Baltimore’s most accomplished musicians collaborated on an adventurous, challenging, thrilling reinvention of Pink Floyd’s Dark Side of the Moon. | 4/17/2013
• Island Quizine 204 Reisterstown Road, Pikesville, (410) 415-7003, islandquizine.com | 3/27/2013
• Guide for the Perplexed The Walters’ Ben Ezra ark door begs for context | 3/27/2013
• Age 10: Jaya Mandala Vaulting Over Adversity | 3/20/2013
• Age 100: Lucille Brooks Remembering a Century | 3/20/2013
• Broadway Market The Broadway Market in Fells Point which reopened after renovations in 2011, represent some of the the city’s—best spots. | 3/6/2013
• Bullish on Baltimore Tony Foreman dishes on his favorite places to eat and slams D.C. dining | 3/7/2013
• August and Everything After Everyman opens its new doors with expansive play, powerhouse performances | 1/30/2013
• xx Marks The Spot, Again London trio returns to town with more sophisticated second album | 1/23/2013
• The Best American Nonrequired Reading 2012 Eggers and crew cull from what we're saying these days | 1/9/2013
• Oy Sauce How Pikesville’s Mr. Chan’s handles the crush on Christmas, its busiest day of the year | 12/5/2012
• Rebel Music The Coup’s Boots Riley on his new album, the coming revolution, and his telemarketing skills | 12/5/2012
• The Best American Nonrequired Reading 2012 A collection edited by young people hits zeitgeist—for better or worse | 11/28/2012
• County Folk Towsoneers All Time Low do it “For Baltimore” | 11/21/2012
• Rockin’ the Suburbs Cockeysville’s John LT gets a second shot at fame as a piano man | 11/14/2012
• Hoofin’ It Deerhoof bring new album Breakup Song to Ottobar | 11/7/2012
• Strangers in a Strange Land Walters explores the role of Africans in the world of Shakespeare and Leonardo da Vinci | 10/24/2012
• Mountain Man John Darnielle on adding horns and offering advice on the new Mountain Goats album | 10/10/2012
• Crazy for Her Meet the disabled Madonna fanatic just about every rock critic knows | 9/26/2012
• Weezer Teaser Drummer Pat Wilson on touring, going solo, and how he manages to never get sick of the songs he’s been playing for 20 years | 9/11/2012
• Starting the Conversation Kwame Kwei-Armah aims to make Center Stage the hub of a global theater community | 8/29/2012
• Back to the Lab The original Baltimore MC takes his art to a higher level | 8/29/2012
• On Being Staff of The Stranger offers wisdom for the addled college student, and the rest of us. | 8/29/2012
• Wild Horses Band of Horses tap rock royalty for rowdy new record | 8/15/2012
• Every Day I’m Hustlin’ Clarence Shields | 7/25/2012
• Queer World Icelandic-U.S show about identity and place comes to Metro Gallery | 7/25/2012
• Dan Deacon’s America The godfather of Baltimore’s arts renaissance goes national | 7/18/2012
• Baltimore’s Champ The largely forgotten life of America’s first black boxing champion | 7/11/2012
• No Beard No Cry Matisyahu sheds the yarmulke for blond tips and clubby new album | 7/4/2012
• Black Life In Black And White The Afro’s anniversary prompts re-examination of the African-American 20th century experience | 7/4/2012
• “A Great Rock ‘n Roll Bar” Timeline of Baltimore punk | 6/27/2012
• Mount Washington Pizza and Subs Stay away from the pizza and avoid the subs. | 6/27/2012
• Wordsmith: King Noah ONCE UPON A TIME, rappers like Baltimore MC Wordsmith—labeled indie, conscious, or backpacker—dotted the mainstream hip-hop landscape like conscientious objectors, avoiding the violence, and self-hate | 6/20/2012